![]() ![]() ![]() It does remain supported in the Vocaloid Editor for Cubase. This feature is not supported in the Vocaloid 5 editor. It's available only to Vocaloid 3 and Vocaloid 4 generation voicebanks. This is a feature where two compatible voicebanks are combined to produce a new sound. Sometimes, replacing phonemes doesn't get you the sound you want, but taking explicit control of the lengths of your consonants and vowels does. By shortening/lengthening vowels, it seems like you can sometimes change how they get pronounced similar to consonants, you can also either make them more evident or less intrusive, or bring out aspects of their sound that get glossed over if they're pronounced too quickly. By splitting a note containing multiple phonemes into multiple notes, you become able to more freely control the duration of the phonemes. It's amazing how much of a difference in pronunciation you can get by splitting a note. This article on amino discusses how to tweak your phonemes to get a more "everyday-speak" kind of sound (e.g., pronouncing "have to" like "hafta"). X-Sampa Phoneme Lists resource by a variety of languages ( Other Miscellaneous Phonemes (breaths, silence, rolled "r," glottal stop, devoicing, etc.).Reviewing it is recommended if you want a LOT more detail.) (Many of these are from Vocaloid Wiki, which has lots of in-depth language/tuning information. Lists of Phonemes/Notes on Various Languages While the ability to enter natural language words into the editor is a valuable, time-saving tool, sometimes you may need to adjust the phonemes your Vocaloid sings manually in order to get the pronunciation you want. Vocaloid Wiki Parameter Article ( Replacement.I've provided a list of links to the translated sections below: It covers a BUNCH of tuning topics, with both simpler principles and little notes on more advanced effects. It is based on Vocaloid 3, but the principles generally still apply today. This book was originally written in Japanese by Pepperon-P, but Narumo has created English-translated versions of many of its sections.I'll leave this here, though, since the list of the chapters is useful.)) ボーカロイド公式 調教完全テクニック( Luckycarrot (Wow, I just rediscovered this thread on VVN I had completely forgotten that Narumo Luckycarrot had re-created it here from VocaloidOtaku. ![]() Yamaha's official Vocaloid channel ( Lumi's channel( For Vocaloid 4, but the theory/parameters are mostly similar.Vocaloid 5's is built in and can be found in its menu ( YouTube Channels ![]() Piapro's is included with the software as a PDF. Both Piapro Studio and Vocaloid 5 definitely do. Whatever Vocaloid editor you're using may have come with some kind of documentation to help users get the most out of the software. Think of it like sculpting pottery-create a general shape and then gently, patiently guide and smooth it into your desired form. It's a little esoteric and sentimental as advice, but don't think of your Vocaloid's voice as a complicated mess of things that you have to subdue. You don't necessarily have to change every parameter all the time, just go for the big ones first-is the voice getting clearer on this note (parameter: CLE)? Brighter (parameter: BRI)? Is there kind of a distortion/gravellyness/growl to it (parameter: GWL)? Is it getting louder/quieter (parameter: DYN)? Try to capture the bigger changes first, and if it still doesn't sound how you want, try to notice the littler things (the parameters that aren't changing as much) and pick at those, probably by smaller amounts than the big changes. Then, when you're creating, block in the vocal by putting in the notes and the lyrics so that your melody is basically there, and then go through the thing carefully and try to imagine how the voice is changing/what the parameters might be doing. I think the right approach is to try to get a feel for what each parameter does-read the descriptions in the manual (which sometimes aren't clear right away, but they help), put in a test note and turn each parameter up and down on its own, try to get a feel for how each parameter changes the voice. ![]()
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